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Paris

23-26 April, 2007

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Note: there are five pages of photos here: Page 1  |  Page 2  |  Page 3  |  Page 4  |  Page 5
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We flew in to Orly Airport and took the bus into town.
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Our first stop was a corner pastry shop.
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After checking into our hotel, we had Thai food for lunch.
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St-Germain des Prés Church.
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The weather was great and the outdoor cafes were bustling.
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A very mellow, Seine-side pooch.
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Pont Neuf.
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With the great weather, all picnic spots were popular.
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Notre Dame.
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Detail above the entry.
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Looking up toward the gargoyles.
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The soaring nave.
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Votives all around.
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The big Seine-side window.
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One of the more unique stained glass windows.
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Looking back from just across the river, on the left bank.
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Back on Pont Neuf, with the Louve behind, looking pretty good for having woken at 4am to catch our flight.
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Our first view of the Eiffel Tower.
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One of the many grand ceilings in the Louvre.
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A few other tourists kept us company.
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Winged Victory of Samothrace (c. 190 B.C.)
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This section of the Louve brough to you by Canon, Sony, Olympus...
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...and the Venus de Milo.
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The Apollo Gallery.
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Cour Carrée.
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Pei's pyramid in the main courtyard.
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Looking up at the pyramid...
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...and through the pyramid.
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Stalls along the Seine.
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Tea time in the hotel room.
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Heading to the ballet.
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Not as many cyclists as in Amsterdam, but still quite a few.
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Arc de Triomphe du Carrousel near the Louvre.
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We stumbled onto great sushi for dinner on the Rue des Pyramides.
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The ballet was held in the Palais Garnier Opéra--the old opera house of Phantom fame.
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It's a beautiful building on the outside...
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...and astoundingly beautiful on the inside.
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The grand staircase.
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Our "serious portrait" mirror tradition continues (see England and Amsterdam for other examples).
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The spectacular dining/reception area.
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The view down Avenue de l'Opéra from the balcony.
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Each box on the loge levels had its own entrance.
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A view of the stage (with pre-show video projection Versaille's Apollo Basin).
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Marc Chagall's ceiling (painted in 1964).
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We saw the world premiere of Robyn Orlin's "L'Allegro, il penseroso ed il moderato," an abstract dance-theater piece that prompted a very vocal, very diverse audience response.

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